The Takeovers: Little Green Onion Man (2008)

The Takeovers are quickly becoming one of the best Pollard-related side-projects. The duo of Robert Pollard and Chris Slusarenko bring together much of what made early GBV so great; (as stated in my roundup of the first Takeover's album) "instant classics, thrown in half-finished ideas, total toss-offs, and decent tracks, all mixed together to form an album greater than the sum of its parts." So it doesn't really surprise me that my favorite Takeovers album is actually a four song EP. Not only does it only have four songs, but one of them is on the last Takeovers album (Bad Football), and another is a alternate version of a track from their first (Turn to Red). But the real treat is just how great the other two songs are...

The Takeovers: Bad Football (2007)

My conclusion of Turn to Red, the first Takeovers album, was that even though less than half of the tracks made the playlist, the album as a whole was pretty decent. For Robert Pollard and Chris Slusarenko's sophomore effort, there is less quirkiness and more rock n' roll. However, the real difference between Turn to Red and Bad Football is that Bad Football is front-stacked, and shelves the toss-offs together at the end of the disc, whereas Turn to Red mixed them in with the rest of the album. That being said, the percentage of tracks making the playlist this time around has increased...

The Takeovers: Turn To Red (2006)

I'm changing things up a bit. No longer am I following a chronological order of posts, but mixing it up from here on in. This way, I get to choose what release I post next a little more randomly. That being said, I am loving the Takeovers EP Little Green Onion Man, so I decided to do their first effort, Turn To Red. The Takeovers are a collaboration between Robert Pollard and Chris Slusarenko. There are some guest musicians thrown into the mix as well...

Guided By Voices: Earthquake Glue (2003)

Earthquake Glue is likely the new-era GBV disc that I listen to the least. After the rock-fest that was Universal Truths & Cycles, Earthquake Glue has a slightly more pop-mellow vibe, and reminds me of Kid Marine in its okay-ness. That is, there is not a bad track on the album, nor does it really ever shine through as spectacular. It has its fair share of hits (My Kind of Soldier, The Best of Jill Hives, and Useless Inventions are up there with GBV's best), but the album overall may take more listens than usual before other tracks begin standing out. That being said, the whole album is pretty much making the playlist...

Guided By Voices: Hardcore UFOs - Revelations, Epiphanies and Fast Food in the Western Hemisphere (2003)

Boxsets are the collector's dream. Guided By Voices boxsets are not so rare. With two editions of Suitcase, a collection of early out-of-print albums, and Hardcore UFOs, GBV has four boxsets collecting about a hundred songs each. Where the two Suitcase boxsets showcase only unreleased tracks, the Box boxset having four out-of-print albums and one album of unreleased material...Hardcore UFOs has six distinct discs; 1) a greatest hits package, 2) a documentary DVD, 3) A live album, 4) an out-of-print singles/EP collection, 5) an unreleased collection, and 6) an out-of-print EP...

Guided By Voices: Hardcore UFOs: Human Amusements At Hourly Rates - The Best of Guided By Voices (2003)

A Guided By Voices greatest hits package? How can a band with as many rocking songs as GBV have a single disc greatest hits? I think this needs to be put into some context before continuing. First off, this album is virtually meaningless for someone already a big fan. Because of this, its inclusion in Hardcore UFOs is an odd choice. Who other than those already owning every GBV album would buy Hardcore UFOs in the first place? Therefore, I must review this disc in its non-Hardcore UFOs stand-alone version aimed at the person who has not yet discovered Robert Pollard and GBV. This was the very first GBV album I ever purchased, and in the context of a primer for newcomers, this greatest hits package is perfect...

Guided By Voices: Hardcore UFOs: Live At The Wheelchair Races (2003)

Live At the Wheelchair Races is a stellar live album. It has a great mix of tracks, from the classics (A Salty Salute, Weed King, Game Of Pricks, Tractor Rape Chain), live staples (My Impression Now, Drinker's Peace, Johnny Appleseed, Over The Neptune), Robert Pollard solo album tracks (Quicksilver, Make Use, Town Of Mirrors, Far Out Crops), and some rare live tracks (Key Losers, How Loft Am I?, Look At Them, Shrine To The Dynamic Years, James Riot). I did not plan on actually putting any live tracks on the playlist, however, one particular cut is just too cool to ignore...

Guided By Voices: Hardcore UFOs : Delicious Pie & Thank You For Calling (2003)

I was listening to the new Fading Captain Series greatest hits collection Crickets in my car to and from work today, and it definitely got me in the mood to write a post today (and of course one is due). Continuing on with Hardcore UFOs, I am going to tackle the unreleased collection Delicious Pie & Thank You For Calling. Unlike the Suitcase collections, this particular unreleased collection has some order to it. Tracks 1-6 are early 8-track/boombox recordings (recorded late 80's), 7-11 are outtakes from Self-Inflicted Aerial Nostalgia (1989), 15-18 are Do The Collapse demos, and 19-22 are Mag Earwhig! demos. How does this compilation stack up against, say, a Suitcase disc? Generally, I would have to say it is not quite up to par...

Guided By Voices: Hardcore UFOs : Demons & Painkillers (2003)

I thought I'd start my 2003-era GBV coverage with the Hardcore UFOs boxset. More specifically, with Demons & Painkillers; a collection of Matador out-of-print singles, B-sides, and tunes from compilations. Albums like this are so important to fans like me who get into a band late in the game (or who do not have a record player), and missed out on grabbing some of these singles when they originally came out. This may be the best reason to pick up Hardcore UFOs, since Demons & Painkillers is a fairly decent album all on its own...

Go Back Snowball: Calling Zero (2002)

Go Back Snowball is made up of two indie-rock giants: Robert Pollard, and Superchunk's Mac McCaughan. McCaughan lays down all the music and Pollard adds vocals. I should start off by saying that I have been growing into quite the Superchunk fan (after finding all their tunes on eMusic), especially Foolish, that is a good album. Therefore, the expectations are high. Does Go Back Snowball reach the great heights expected by this dynamic duo? Maybe not. Is it a good album? Sure. Will it grow on you after repeated listens? Oh, definately! The music is interesting (a mix of fuzzed-out guitar, piano, and acoustic rhythm), and did I mention one of Pollard's best vocal performances...

Circus Devils: The Harold Pig Memorial (2002)

When reviewing the first Circus Devils release (Ringworm Interiors), I found it hard to convey how much I enjoyed the album while only selecting 8 out of 28 of the tracks for my ultimate GBV-related playlist. The problem was that the disc was great as a cohesive album, yet individual tracks were just too "out there" to sound in place on a GBV/Pollard mix. Well, the dynamic trio of Robert Pollard (vocals) and the Tobias' (Tim and Todd - all the guitar licks and weird noises) are back with The Harold Pig Memorial. This album is toned down quite a bit compared to Ringworm Interiors, and is generally a rather fine rock album...

Richard Meltzer, Robert Pollard, Smegma, Antler & Vom: The Completed Soundtrack For The Tropic Of Nipples (2002)

In 2002 Robert Pollard teamed up with Richard Meltzer (former music critic), and noise bands Smegma and Antler to create a truly psychedelic vinyl only EP release. This CD version was expanded to include nine more tracks, as well as the addition of Vom (6 tracks). I am hard pressed to write a full entry for this disc, which I would have to say is one of the least important albums in the GBV catalog (or is it one of the most important ones, considering that only die-hard fans are going to bother to pick it up?) That being said, The Complete Soundtrack for the Tropic of Nipples is interesting with its mix of spoken word over noise, instrumentals, and some old school punk...

Guided By Voices: The Pipe Dreams Of Instant Prince Whippet (2002)

Two months later and I'm back with a new entry into what has now been a year-long project; creating the ultimate Robert Pollard/GBV guide. My absence has been quite necessary as I have been a) doing the whole Christmas /New Year thing, and b) I moved into a new house. With the new house I have picked up a killer sound system to enjoy my GBV-related tunes on, so I'm pretty excited about that. So the first post of the new year, in the new house, and on the new sound system is Universal Truth's and Cycle's companion EP, The Pipe Dreams of Instant Prince Whippet. Whereas the Hold On Hope EP was generally better than its companion album (Do The Collapse), Prince Whippet is definitely more of an extension of Universal Truths and Cycles...

Guided By Voices: Universal Truths and Cycles (2002)

It's been a while, but I'm back. I woke up this morning and thought that it was about time to get another entry up. Let me start off my saying that for quite a while, this was the GBV album that I listened to the least. It had the least impact on first listen, and took the longest to grow on me. That being said, I now find myself in a 'new era' GBV phase, and Universal Truths and Cycles is getting a lot of plays. It is unique in the GBV catalog with its mix of slick production and heavier rock, somewhat in the vein of Choreographed Man of War. I can tell you right off the bat that there are going to be a lot of bolded tracks on this one...

Airport 5: Life Starts Here (2002)

After the excellent Tower in the Fountain of Sparks, Airport 5 (the duo of Tobin Sprout and Robert Pollard) returned in 2002 with Life Starts Here. Whereas Tower in the Fountain of Sparks was consistent in its low key and beautiful ballads, Life Starts Here is more or less all over the place. It has Yellow Wife No. 5 so you must own it if you are a GBV fan, but generally it does not come close to it predecessor's brilliance. This album received some fairly negative reviews on its release, which put it near the end of my GBV related purchases. However, though it is not in any way among Pollard's best work, it does still have its charms...

Airport 5: Tower In The Fountain Of Sparks (2001)

To create what may be the most beautiful album in the GBV catalog, the dynamic duo of Tobin Sprout and Robert Pollard got back together in 2001 to follow up on 1996's Tonics and Twisted Chasers. However this time around, the two decided not to fly under the banner of Guided By Voices, but as Airport 5. Airport 5 (and of course GBV's Tonics and Twisted Chasers) is characterized as having softer, beatier, and keyboard-based grooves, which strays from the rock of GBV quite a bit. With two "hit" singles already released (Total Exposure and Stifled Man Casino), Airport 5 was starting to look less like a side-project, and more like a new band. However, with a release one year later (Life Starts Here), Airport 5 would only see two releases to date...

Guided By Voices/Airport 5: Selective Service (2001)

Selective Service is simply a collection of three previous vinyl-only singles from GBV and Airport 5. Those singles being Dayton, Ohio - 19 Something and 5, Total Exposure, and Stifled Man Casino. The latter two available also on Tower in the Fountain of Sparks. Also included as a bonus track is the Airport 5 track In the Brain, which I have not been able to get into very much. I currently have it on my list of songs to re-visit for my ultimate playlist. Should someone who actually owns Airport 5's Tower in the Fountain of Sparks pick up this EP? I would answer yes due to the live version of Dayton, Ohio - 19 Something and 5, as well as the two excellent b-sides to Total Exposure. To get my take on the individual releases that make up Selective Service, see the following links:
Guided By Voices: Dayton, Ohio - 19 Something and 5 (2000)
Airport 5: Total Exposure (2001)
Airport 5: Stifled Man Casino (2001) ...

Airport 5: Stifled Man Casino (2001)

Once again, I must apologize for the lack of posts lately. It has slowed down to about one per month, which is definately not what am aiming for. This is mainly due to me spending a few weeks job hunting/interviewing, and that taking the majority of my attention. The good news is that I now have a new job, and perhaps can post a bit more often (no guarantees though). Now that that's out of the way, let's get to business. Stifled Man Casino rocks. It is such a great song, and has a chorus that is just begging for radio-play. It contains one of my favorite GBV-related lines with "Up go the stakes in Stifled Man Casino/No one gets the brakes/That's the breaks, baby". But how are the b-sides?...

Airport 5: Total Exposure (2001)

I am pretty excited, since I just ordered the new Psycho and the Birds EP a week ago (and it should arrive fairly soon). It got me thinking about how my posts have been lacking in frequency lately. I am just finishing my final few days of post-secondary, and will be starting my life as a career-man, so this blog has been pushed back on the priority list lately. So if it is a month since my last post, please do not think that I have abandoned the site...I am likely just really busy. Hopefully I will get to post more frequently soon. With that out of the way, lets talk about the vinyl only single, Total Exposure...

Guided By Voices: Dayton, Ohio - 19 Something And 5 (2000)

GBV embraces vinyl, which is probably one of the most annoying things about the band, for someone like me living in a city in Canada which has maybe one store which actually sells the stuff. I own exactly two vinyl records, of which I do not have the record player to listen to them on: Robert Pollard's Love is Strong Than Witchcraft, and GBV"s Bee Thousand - The Director's Cut. Since I can't actually play them, I have never heard the live version of Dolphin's Of Color which is sitting on the desk next to me. Luckily, Scat Records was cool enough to include the extra tracks of the Bee Thousand album on a CD so I could actually hear them. This particular single/EP was a vinyl only release so I will likely never own it. Of course, all the songs were released a year later on Selective Service, so I can still post an entry...